After more than one hundred years of historical evolution, China's Inner Mongolia Autonomous Region has become a place of multi-ethnic cohabitation. Influenced by the Qing Dynasty and the Republic of China, the Han Chinese population in Shandong, Shanxi and Hebei gradually migrated here, which not only led to the transformation of the urbanization of the animal husbandry areas, but also further deepened the cultural exchanges and ethnic integration. Against this background, the vast land of Inner Mongolia has given birth to countless 1+1 families such as Mongolian-Chinese, Manchu-Chinese, Hui-Chinese, etc., and has continuously iterated different forms of subcultures.

经过一百多年的历史演变，中国内蒙古自治区已经成为多民族共居之地。受到清代和民国时期走西口和闯关东的影响，山东、山西、河北地区的汉族人口逐渐向这里迁徙，不仅带动了畜牧业地区的城镇化转变，也进一步加深了文化交流和民族融合。在这样的大背景下，内蒙古这片广袤的土地上孕育出无数个蒙汉、满汉、回汉等1+1家庭，并不断迭代出不同形式的亚文化。

This time, NA-DECO Design was commissioned by the Mongolian-Chinese 1+1 families to create a new design for a flat-story house in Hohhot. The man of the house is from Shandong and the woman of the house is a native Mongolian, who share a love of traditional Chinese culture and a deep attachment to their hometown. Drawing inspiration from this, NAMOHAN BREEZE has created a modern and elegant literati painting using traditional Chinese colors as the main pigments and sharp structural lines as the frame.

这次那漠含风受蒙汉1+1家庭之托，对一处位于呼和浩特市的平层住宅进行全新设计。男主人来自山东，女主人则是土生土长的蒙古族，他们共同热爱着中国传统文化并对家乡有着深沉的依恋。那漠含风从中汲取灵感，以淡雅的中国传统色为主要颜料，以利落的结构线条为画框，描绘出一幅雅致的现代文人画卷。

The symmetrical layout and the smoky red background of the entrance hall, where you pass through a foyer before stepping into the living room, sets an oriental tone that contrasts with the bright living room that you are about to enter, an approach that is influenced by traditional Chinese literature and inspired by the design techniques used by Adolf Loos in the MÜLLER residence. The living room, which is almost 8 meters wide, is arranged on a uniform east-west axis with a coffee table and a sofa, where the man drinks tea and paints, and where the woman relaxes and entertains guests, surrounded by two chairs and a sofa. In the middle of the living room, a set of stainless steel bookshelf is customized for the owner, and its shape is inspired by the Mongolian bow and arrow, the new combination of traditional shape and modern materials injects youthful vitality into the new home. The floor is made of dark brown tiles with wood grain, the faint luster of which resembles the brown-glazed porcelain of the Han and Tang dynasties, which becomes the understated and rustic color of this new home.

步入客厅之前会经过一个玄关，对称布局和烟红色背景铺陈了东方格调，与即将步入的明亮客厅形成鲜明对比，这种欲扬先抑的手法受到中国传统文学的影响，同时也受到Adolf Loos在MÜLLER住宅中所运用的设计技巧的启发。客厅拥有近8米的宽度，在东西向以统一的轴线将茶桌与沙发依次排开，茶桌是男主人饮茶与书画之所，由两把椅子和沙发围合成的区域则是女主人休闲与待客之地。在客厅中间赫然直立的一组不锈钢书架是为业主量身定制，其造型灵感来自于蒙古弓箭，传统造型与现代材料的全新组合为新家注入年轻的活力。地面选用带有木纹的深褐色瓷砖，微弱的光泽宛如汉唐时期的褐釉瓷器，成为这个新家低调而古朴的底色。

The overall spatial layout is defined by two sets of wooden walls at the center, whose T-shaped structure separates the second bedroom and living/master bedroom in the east-west direction, and the living room and dining/storage space in the north-south direction, which not only carries a variety of storage functions, but also balances the spatial rhythm and visual experience. The dining/kitchen space is located on the north side of the T-shaped structure, and the huge center island and the tea table echo each other and are located on the same axis, forming an ambiguous relationship with the living room. In order to imitate the color and texture of celadon porcelain, which flourished for several dynasties, the kitchen cabinets and floor cabinets are customized in two colors, soy green and winter green, and are finished with soft lacquer. Another T-shaped structure formed by the cabinets and living room curtains reinforces the solidity of the space.

整体空间布局由处于中心位置的两组木质墙体所定义，其T形结构在东西向分隔出次卧和客厅/主卧，南北向则分隔出客厅和餐厨/储藏。T形结构不仅承载着多种储物功能，还使得空间节奏和视觉感受趋于均衡。餐厨空间位于T形结构北侧，巨大的中岛与茶桌遥相呼应并位于同一轴线，与客厅形成若即若离的暧昧关系。为了模仿曾盛行几个朝代的青瓷的颜色和质地，厨房的吊柜和地柜分别定制了豆青和冬青两种颜色，并敷以柔光漆面。橱柜和客厅窗帘所形成的另一T形结构更加强了空间的稳固性。

Pushing open the door with traditional Mongolian motifs, you enter the bedrooms at the east and west ends of the room, the second bedroom on the east side and the master bedroom on the west side. The second bedroom is not overly decorated, a bed, a chair, a lamp and a shelf are all that is here, all conveying the simple and humble philosophy of life of the host and hostess. The cabinets on the left and right sides of the master bedroom echo the two sets of wooden walls in the living room, and the wide bed is located in the center. The lacquered sideboard with mountain peaks is still customized for the owner, and the peaks not only suggest the name of the hostess, but also the host's nostalgia for his native Shandong.

推开带有蒙古族传统图案的房门，便走进位于房间东西两端的卧室，东侧为次卧，西侧为主卧。次卧并没有过多的装饰，一床、一椅、一灯、一架便是这里的全部，无不传递着男女主人清简而谦逊的人生哲学。主卧左右两侧的柜体呼应着客厅的两组木质墙体，宽大的床则位于中心位置。雕刻有山峰图案的大漆边柜依旧是为业主量身定制，山峰不仅暗示着女主人的名字，也寄托着男主人对故土山东的思念之情。

This project is NA-DECO Design's attempt to implant two-dimensional traditional aesthetics in a three-dimensional space, like the Qingming Shanghe Tu, which is a continuous and vivid scene of life as far as the eye can see. Mongolian and Chinese cultures have the same roots and origins, and in the long river of history, they keep separating and converging, and every 1+1 family is a beating note, which is written into the great hymn of national integration.

这个项目是那漠含风设计在三维空间中植入二维传统美学的尝试，如清明上河图一般，目之所及便是一幕幕连续而生动的生活景象。蒙汉文化同根同源，在历史的长河中不断分离又不断汇合，每个1+1家庭都是跳动的音符，被写进民族大融合的伟大赞歌。

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