Rumah Fajar, which means “The House of Dawn” in Bahasa Indonesia, is a modern architectural interpretation of a traditional Balinese longhouse bale agung. Boasting spectacular views of Bali’s most sacred volcano Gunung Agung, the home is steeped in the local vernacular through its design and choice of materials. Studio Jencquel began building in August 2017 — simultaneous with the eruption of Gunung Agung — and finished construction two years later in August 2019. Abundant use of volcanic stone represents an allegorical element of the completed design, entwining the great volcano and the “great pavilion” in its shadow. Nestled seamlessly into a lush hillside and facing the rising sun, the luxurious 4-bedroom Rumah Fajar presents a humble abode that is not so humble, after all.

Rumah Fajar 在印尼语中意为 “黎明之屋”，是对巴厘岛传统长屋 bale agung 的现代建筑诠释。这座房屋坐拥巴厘岛最神圣的古农阿贡火山的壮丽景色，其设计和选材都融入了当地的乡土气息。Studio Jencquel 于 2017 年 8 月开始建造，当时正值古农阿贡火山爆发，两年后于 2019 年 8 月竣工。火山石的大量使用代表了设计完成后的一个寓意元素，将大火山和其阴影下的 “大亭 ”缠绕在一起。豪华的四居室 Rumah Fajar 完全依偎在郁郁葱葱的山坡上，面朝初升的太阳，简陋的居所却并不简陋。

Entering the space through a small, unpretentious Balinese door known traditionally as angkul-angkul, twin gate guardian statues known as Men Brayut sit on either side upon the local terracotta brick gate, blessing all who pass with strength, fertility, harmony, and prosperity. Past the threshold lies a candi (a shrine or temple), here playing the role of aling-aling, an obstacle often seen in the entrance to Balinese homes intended to deflect and confuse unwanted guests or spirits.

从一扇朴实无华的巴厘岛传统小门（angkul-angkul）进入房间，被称为 Men Brayut 的双门守护神雕像就坐落在当地陶砖大门的两侧，为所有经过的人带来力量、富饶、和谐和繁荣的祝福。过了门槛，就是神龛或寺庙，在这里扮演的是 “ing-aling ”的角色。“ing-aling ”是巴厘岛民居入口处常见的一种障碍物，用于阻挡和迷惑不速之客或神灵。

The house is accessed by a sinuous bridge hovering above a large koi pond; a zigzag path designed not only to confuse spirits, but to give one the elevated sense of entering a tree house with a castle-like feeling of protection. Ensconced among a verdant tropical garden of coconut palms, tree ferns, heliconias, orchids that emanate a whiff of chocolate — along with fruit-bearing trees such as durian, breadfruit, and rambutan — this journey into botanical reverie culminates at the main entrance door.

从一座盘旋在大型锦鲤池上的蜿蜒小桥可以进入别墅；这条之字形小路的设计不仅可以迷惑神灵，还能让人有一种进入树屋的高远感，有一种城堡般的保护感。椰子树、蕨类植物、鹤望兰、散发着巧克力香味的兰花，以及榴莲、面包果和红毛丹等果树掩映在葱郁的热带花园中。

From the outside, we see how Gunung Agung and traditional Balinese living inform the design of Rumah Fajar. The house blends into its wild natural setting along the hillside in great part due to the combination of only two dominant materials — Bata Tulikup, a Balinese terracotta brick from Tulikup village; and charred ironwood following Japanese techniques of Shou-Sugi-Ban. Bale agung m eans “great pavilion”, and here the great m ain pavilion of the house is elevated upon an elongated brick “podium”. This creates an exterior view ruled by ironwood, brick, and the sacred volcano — all reborn from earth with strength and beauty in fire.

从外观上看，我们可以看到 Gunung Agung 和传统巴厘岛生活是如何影响 Rumah Fajar 的设计的。房屋与山坡上的自然环境融为一体，这在很大程度上归功于两种主要材料的结合--巴塔-图里库普（Bata Tulikup），一种来自图里库普村的巴厘岛陶砖；以及采用日本 “寿-杉-班”（Shou-Sugi-Ban）技术的炭化铁木。Bale agung 的意思是 “大亭子”，在这里，房屋的主亭子被架设在一个拉长的砖 “平台 ”上。铁木、砖块和神圣的火山构成了这里的外部景观--它们都从大地中重生，在火焰中焕发出力量和美感。

In creating the main frame of the house, a steel structure was designed to saddle the timber roof structure to a millimeter precision; and to perform with the highest degree of endurance in case of an earthquake. H-beams are positioned on the floor plan in a similar fashion to the timber pillars found in the traditional Balinese longhouse, reinforcing the idea of a modern vernacular. The overall design is meant to be open and not boxed in, with ample air flow through cross-ventilation. The landscaping and gardens, designed by Maximilian Jencquel, supplement the home with cooling shade and plenty of space for gentle breezes to pass through.

在创建房屋主体框架时，设计了一个钢结构，以精确到毫米的精度为木质屋顶结构提供支撑，并在发生地震时具有最高的耐久性。楼层平面上的 H 型梁与传统巴厘岛长屋中的木柱位置相似，强化了现代乡土的理念。整体设计力求开放而不封闭，通过交叉通风实现充足的空气流通。由 Maximilian Jencquel 设计的景观和花园为住宅提供了凉爽的树荫和充足的空间，让柔和的微风穿过。

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