Liljencrantz Design was to carry out a complete renovation of this five-bedroom flat with two floors.

Liljencrantz Design要进行的是这套拥有两层楼的五居室公寓的全面翻新。

Standing on the residence's 360-degree terrace, one can see the Stockholm skyline. Although the building in which the residence is located was built in 1905, unfortunately the original windows of the building have been altered at some point in time, which reduces the character and charm of a building with a certain history. The home was also in poor condition prior to renovation, and the design team at Liljencrantz Design had to start from scratch as the previous owners had failed to carry out a proper renovation.

站在住宅的360度露台上，人们可以看到斯德哥尔摩的天际线。虽然住宅所处的建筑建于1905年，但不幸的是，建筑的原有窗户在某个时期被改造了，这对于拥有一定历史的建筑减少了特色和魅力。这套住宅在翻新前的状况也很糟糕，由于前任业主没有进行适当的翻新，因此Liljencrantz Design的设计团队不得不从头开始。

Fortunately, this gave Liljencrantz Design the opportunity to create the perfect brand new space for a family of three.

幸运的是，这让Liljencrantz Design有机会为一个三口之家创造出完美的全新空间。

‘Based on the client's requirements, we made three bedrooms, each with its own bathroom and dressing room, as well as a combined kitchen and dining area, including a lounge area connected to the hall and main entrance. On the top floor, we created a living room that leads to a terrace with an outdoor kitchen. The home is very social, but due to the location of the spatial layout, the bedrooms are placed in every corner of the flat, but still have privacy. It's a perfect setup when a family of three lives together,’ explains Louise Liljencrantz.

“根据客户的要求，我们做了三间卧室，每间卧室都有自己的浴室和更衣室，还有一个联合厨房和餐厅区，包括一个与大厅和主入口相连的休息区。在顶层，我们创建了一个客厅，通向带有户外厨房的露台。这个家非常具有社会性，但由于空间布局的位置原因，卧室被放置在公寓的每个角落，但仍然具有私人性。当一家三口住在一起时，这是一个完美的设置”Louise Liljencrantz解释说。

For Louise Liljencrantz, it is therefore also crucial to be as specific as possible about every little detail from the very beginning of the design process, and Louise Liljencrantz often presents a complete concept and aesthetic direction to her clients early on in the design process.

因此，对于Louise Liljencrantz来说，从设计的开始就对每一个小细节尽可能的具体化，这也是至关重要的，Louise Liljencrantz经常在设计过程的早期就向客户展示一个完整的概念和美学方向。

However, Louise Liljencrantz also finds herself trying new things. ‘The living room is located in the attic, and usually we don't mix various types of wood. But in this case, the first floor has its own character, so making it a light palette of warm white and beige tones with oak for the furniture gives the space a natural sense of ambience’, Louise Liljencrantz points out her own favourite part of the project when talking about the upstairs rooms and their airy, cloud-like atmosphere.

然而，Louise Liljencrantz也发现自己在尝试新的东西。“客厅位于阁楼上，通常我们不会混合使用各种木材。但在这种情况下，二楼有它自己的特点，所以让它成为一个温暖的白色和米色色调的浅色调，家具采用了橡木，这让空间充满了自然的氛围感”，Louise Liljencrantz谈到楼上的房间及其通风的、像云一样的氛围时，指出了她自己最喜欢的部分。

‘This way of working creates a platform for us to shape our vision together with the wishes of our clients and to be able to communicate the end result in a simple way’, Louise Liljencrantz elaborates.

Louise Liljencrantz阐述道：“这种工作方式为我们创造了一个平台，使我们能够与客户的愿望一起塑造我们的愿景，并能够以一种简单的方式传达最终的结果”。

For this residence, a rich colour scheme was also one of the key design concerns. A warm and rich mahogany was chosen for the ground floor and is rooted in the space with an almost solid presence of wood.

对于这座住宅来说，丰满的色彩方案也是设计关注的重点之一。一楼选择了温暖而丰富的桃花木，并几乎以木材的坚实存在扎根于这个空间。

From the ground floor, the colours, fabrics and materials continue to evolve upwards - the mixing and matching of the warmth of the wood on the first floor with the cooler tones of the grey-blue, as well as the interspersing of hard lines and curves, all contribute to the continued upward evolution and extension of the sense of spatial ambience.

从一楼开始，颜色、织物和材料不断向上演变 —— 二楼木材的温暖与灰蓝色的冷色调的混合与匹配，以及硬线条与曲线的穿插，都使得空间氛围感持续的向上演变与延伸。

Louise Liljencrantz explains, ‘Design has been a labour of love from the beginning, and so many good things have come out of it. Every time I walk into the master bedroom, I get a feeling. It's spacious, it's cosy and it calms me down completely. The natural light and colours create magic in this room.’

Louise Liljencrantz阐述道“设计从一开始就是一种爱的劳动，有这么多好的东西产生了。每次我走进主卧室，我都会有一种感觉。它很宽敞，很舒适，让我完全平静下来。自然光和色彩在这个房间里创造了魔力"。

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