Without knowing the context of the space, the moment you cross the threshold of the entrance, you will see the small courtyard behind the wrought iron gate, the cut plants in pots, the grey stone steps, all of which make it seem as if you are in Paris, as this city is as often featured in the social networks of the interior designer Irakli Zaria as Moscow, London or Tbilisi. The building in which the flat is located is next door to the Rue de Terville, and the building is an example of Soviet constructivism from the late 1920s.

如果不知道这个空间的背景，在跨过入门门槛的那一刻，你会看到锻铁门后的小院子、盆中的剪枝植物、灰色的石阶，均让人仿佛置身于巴黎，因为这个城市像莫斯科、伦敦或第比利斯一样常出现在室内设计师Irakli Zaria的社交网络中。这座公寓所处的大楼隔壁是特维尔大街，大楼则是1920年后期苏联建构主义的一个例子。

‘When I saw it,’ says Irakli Zaria, ’I was overwhelmed by an atypical detail - the corner, the highest part of the house ends in an elegant dome, under which the flat actually sits! ‘.

“当我看到它时”Irakli Zaria说“我被一个非典型的细节征服了——房子的角落、最高的部分以一个优雅的圆顶结束，实际上，公寓就位于它下面”。

The building in which the flat is located has been virtually unoccupied since it was built, so the interior designer Irakli Zaria was in need of a complete refurbishment here before moving in.

该公寓所处的大楼自建成以来几乎无人问津，因此室内设计师Irakli Zaria在入住之前这里需要彻底翻修。

‘The arrangement of the corners of the flat is one of my favourites’ says Irakli Zaria ’Every corner of the flat, even a small one, reveals new perspectives. In addition, I planned a circular movement around the flat, so as to maximise the use of space in a relatively small space of about 90 square metres’.

“公寓角落的布置是我的最爱之一”Irakli Zaria说道“公寓里的每一个角落，哪怕是一个小角落，都能发现新的视角。另外，我规划了一个围绕公寓的圆周运动，因此，在相对较小大且约90平方米的空间里，尽可能的把空间利用性放到最大"。

The walls of the entrance hall are covered with parchment wallpaper, the white ceramic table is based on a sketch by Irakli Zaria with a collection of Chinese ceramics from the Neolithic period of 3000 BC, the bench Pierre Guariche is from the 1950s, and the plaster chandelier is a work by Stephen Antonsen.

入门大厅的墙壁上铺着羊皮墙纸，白色陶瓷桌是根据Irakli Zaria的草图制作的，桌子上收藏了公元前3000年新石器时代的中国陶瓷，长椅Pierre Guariche来自1950年代，石膏吊灯是斯蒂芬·安滕森的作品。

The entrance hall leads through an airy ‘library’ and you find yourself in the centre of the flat - the living room, with the entrance to the dressing room near the bedroom on the left, a space covered from floor to ceiling with Mansonia wood panelling, which in several places conceals the entrance to the bedroom. the entrance to the bedroom.

入门大厅穿过一个通透的“图书馆”，你会发现自己置身于公寓的中央——客厅，左边是靠近卧室的更衣室的入口，这个空间从地板到天花板都是曼索尼亚木的木镶板，其中有几处掩盖了卧室的入口。

Next to the desk is a bronze armchair from 1970. Looking into the living room you can see a floor lamp, the floor lamp Paavo Thunnel from 1945.

书桌旁是一张青铜扶手椅，来自1970年。望向客厅的可以看到一盏落地灯，落地灯Paavo Thunnel来自1945年。

The living room, which occupies one corner of the flat, has wall panelling made of Mansonia wood, and the sofa and coffee table are based on sketches by Irakli Zaria, the owner of the flat.

客厅占据了整个公寓的一角，客厅的墙板由曼索尼亚木制成，沙发和茶几则是根据公寓主人Irakli Zaria的草图制作。

The right armchair Shell from 1955 and the living room bench Costela from 1950 were both designed by Carlo Gauner. On the walls of the living room is a work by Andrei Krasulin from 1990, and on the windowsill are artefacts from ancient China.

客厅右边扶手椅Shell来自1955年，客厅的长凳Costela来自1950年，均由Carlo Gauner设计。客厅的墙上则是安德烈·克拉苏林在1990年的作品，窗台上陈列着来自中国古代的文物。

When the door is opened, the living room is flooded with light reflected off the silk wallpaper, which from a distance looks like polished travertine. ‘Silk, linen, wood - warm materials create a sense of serenity, which is very important to me.

当门被打开时，客厅被丝绸墙纸反射的光线所淹没，从远处看就像抛光的洞石。“丝绸、亚麻布、木材——温暖的材料创造出一种宁静的感觉，这对我来说非常重要。

Inside, you'll easily recognise the influence of Jean-Michel Franck, a designer ahead of his time, whose work is very close to me, and a pair of boxes decorated with golden straw are always on my desk. The space also boasts a classic bohemian lightness - ivory coloured, partially inlaid. The interiors are further simplified in terms of their complexity, which is just a backdrop for the paintings, sculptures and art objects in the space,’ says flat owner Irakli Zaria.

在室内，你会很容易辨别出让·米歇尔·弗兰克的影响，他是一位超前的设计师，他的作品离我很近，一对用金色稻草装饰的盒子总是放在我的桌子上。空间也拥有经典波西米亚的轻盈——象牙色、部分的镶嵌。室内装饰被进一步简化，就其复杂性而言，这只是空间内的绘画、雕塑和艺术物品的背景”公寓主人Irakli Zaria说。

The round table Charles Dudouyt is from 1928, the marble Roman: portrait of Julia Domna is from the 2nd century BC, the table lamp Jacques Adnet is from 1930, the ceramic pendant is a work by Pablo Picasso from 1949, and the box collection by Jean-Michel Franck is from 1920-1930.

圆桌Charles Dudouyt来自1928年，大理石罗马人：朱莉娅·多姆娜的画像来自公元前2世纪，台灯Jacques Adnet来自1930年，陶瓷吊坠是帕布罗·毕加索的作品来自1949年，Jean-Michel Franck的盒子系列来自1920-1930年。

In the centre of the dining room is the custom rock dining table with chairs Nanna Ditzel from 1960, a chandelier from Mauro Fabbro, a silver plate on a shelf by Pablo Picasso, a painting at the top by Raquel Levy from 1970, and below that a work by Enrico Castellani from 1970.

餐厅中间是定制岩石餐桌，椅子Nanna Ditzel来自1960年，吊灯来自Mauro Fabbro，架子上有一个银盘，是巴勃罗·毕加索的作品，顶端的画是来自1970 年Raquel Levy的作品，下方是Enrico Castellani的作品，来自1970年。

In front of the armchair Pierre Jeanneret from 1950 is a metal coffee table based on a sketch by Irakli Zaria, the owner of the flat, above which there is a box by Jean-Michel Franck and Apollo marble from the 1st century A.D. from Ancient Rome, and to the left there is a revolving door leading to the bedroom.

映入眼帘的扶手椅Pierre Jeanneret来自1950年，扶手椅前方是根据公寓主人Irakli Zaria的草图制作的金属茶几，茶几上方有一个让·米歇尔·弗兰克的盒子和来自公元1世纪古罗马的阿波罗大理石，左边有一扇旋转门通向卧室。

The oak bed is based on a sketch based on that of the flat's owner, Irakli Zaria, the bedstead Gucci from 1970, the painting of the head of the bed is from Laura Sebastianez, and the crystal and bronze wall sconces in the bedroom are from Hisham Gandour.

这张橡木床是根据根据公寓主人Irakli Zaria的草图制作的，床尾凳Gucci来自1970年，床头绘画来自Laura Sebastianez，卧室的水晶和青铜壁灯来自Hisham Gandour。

The bedroom walls are covered in Pierre Frey textile wallpaper, the old armchair is from Pierre Guarish, the cupboards are based on sketches by the flat's owner, Irakli Zaria, and the bedroom doors are treated with selenite.

卧室的墙壁上覆盖着 Pierre Frey 纺织壁纸，老式扶手椅来自Pierre Guarish，橱柜是根据公寓主人Irakli Zaria的草图制作的，卧室的门则是用亚硒酸盐处理。

‘Several objects from the ancient Chinese period, classical modernism and decorative arts, paintings from 1950-70 and my latest passion, Picasso ceramics all complement all the modern furniture in the space, some of the pieces are based on my sketches. ’ Flat owner Irakli Zaria said.

“来自中国古代时期的几件物品、古典现代主义和装饰艺术、1950年至70年的绘画以及我最近的爱好——毕加索陶瓷均与空间内的所有现代家具相得益彰，其中一些作品是根据我的草图设计的。”公寓主人Irakli Zaria说。

‘The interior of the space is not meant to be purely for display, on the contrary in a sense it is very intimate because everything that is so close to me is collected here. It's only a fifteen-minute walk from the flat to my studio, where work is in full swing, and a thirty-minute drive to the airport, but I always come back to myself, to design and to life, in every sense of the word.’

“空间内部不是为了纯粹展示，相反在某种意义上它是非常亲密的，因为所有与我如此接近的东西都收集在这里。从公寓到我的工作室只有十五分钟的步行路程，那里的工作正如火如荼地进行着，到机场有三十分钟的车程，但我总是回来，回到“自己”身边，无论设计还是生活，在任何意义上都是如此”。

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