During the Renaissance, Florence, Italy, was at the forefront of fostering artistic creativity, with notable home-grown talents such as Brunelleschi, Leonardo da Vinci and Michelangelo, among other figures, who left behind an unrivalled cultural legacy for the city, not to mention enhanced artistic innovation. Repeating such historic achievements may be a daunting task, but it has to start somewhere.

在文艺复兴时期，意大利的佛罗伦萨处于培养艺术创造力的前沿，这里拥有着名的本土人才，如布鲁内莱斯基、达芬奇和米开朗基罗等人物，他们为这座城市留下了无与伦比的文化遗产，更不用说增进了艺术的革新。重复这样的历史性成就可能是一项艰巨的任务，但必须从某个地方开始。

In the case of the entrepreneur Martino di Napoli Rampolla, ‘somewhere’ is located at Via dei Pandolfini 20 in the historic centre of Florence, where a 16th-century palace has been transformed into an artistic living space.

在企业家Martino di Napoli Rampolla的案例中，“某处”位于佛罗伦萨历史中心via dei Pandolfini的20号，一座16世纪的宫殿已被改造成艺术居住空间。

Named after the address, Numeroventi combines a living and working space for local and international artists with an exhibition space and a boutique hotel whose mission is to bring together artists from all over the world.

以地址命名，Numeroventi将本地和国际艺术家的共同生活和共同工作空间与展览空间以及一家精品酒店相结合，其使命是将来自世界各地的艺术家聚集在一起。

Launched in 2016 in collaboration with Alessandro Modestino Ricciardelli, this multidisciplinary project stands out not only for its ambitious programme, but also for its unique ambience.Rampolla has worked with architect Gianni Emiliani and interior designer and director of Openhouse magazine Andrew Trotter to create a tranquil retreat that skilfully blends Renaissance splendour with Scandinavian minimalism.

这个多学科项目于2016年与Alessandro Modestino Ricciardelli合作推出，不仅因其雄心勃勃的计划，而且因其独特的氛围而脱颖而出。Rampolla与建筑师Gianni Emiliani和室内设计师兼Openhouse杂志主任Andrew Trotter合作，创造了一个宁静的度假胜地，巧妙地将文艺复兴时期的辉煌与斯堪的纳维亚极简主义融为一体。

The heart of the Numeroventi beats in the palace's central courtyard, which, as the medieval octagonal columns attest, was once a historic market square and is now a serene outdoor lounge, meeting place and event space under the watchful eyes of Hercules and Iole. This is a 17th-century marble statue by Florentine sculptor Domenico Pilates.

Numeroventi 的心脏在宫殿的中央庭院跳动，正如中世纪的八角柱所证明的那样，它曾经是一个历史悠久的集市广场，现在在赫拉克勒斯和伊奥勒的注视下成为一个宁静的户外休息室、会议场所和活动空间。这是佛罗伦萨雕塑家多梅尼科皮拉蒂的17世纪大理石雕像。

Numeroventi's residence, Palazzo Tassi Galli, is ideally suited as an art residence, reflecting the cultural context of Florence. Built in 1510 as a merger of several 14th-century merchant houses, it was later enlarged and decorated with 17th-century paintings, frescoes and sculptures by the Baroque masters Fabrizio Boschi, Ottavio Vannini and Francesco Furini, as well as a magnificent neo-classical staircase.

Numeroventi的住宅Palazzo Tassi Galli非常适合作为艺术住宅，反映了佛罗伦萨的文化背景。它建于1510年，由几座14世纪的商厦合并而成，后来扩建并装饰有17世纪巴洛克大师Fabrizio Boschi、Ottavio Vannini和Francesco Furini的绘画、壁画和雕塑，以及一个宏伟的新古典主义楼梯。

Over the centuries, the palace has served as a governor's residence, a government department and even for a syrup factory, clearly reflecting the city's storied history.

几个世纪以来，这座宫殿曾作为总督府、政府部门甚至为糖浆厂服务，显然反映了这座城市的传奇历史。

It also holds a special place in Rampolla's heart: his grandmother's uncle, the entrepreneur and theatre manager Girolamo Pagliano, bought the building in the 19th century and turned part of it into a production facility for the medicinal syrup he invented - Rampolla's grandmother lived here when he was growing up. Rampolla's grandmother also lived here during his formative years, as she did when he was at university.

它在Rampolla的心中也占有特殊的位置：他祖母的叔叔、企业家和戏剧经理Girolamo Pagliano在19世纪买下了这栋建筑，将其中的一部分变成了他发明的药用糖浆的生产设施——Rampolla的祖母在他成长的过程中也住在这里，就像他在大学时一样。

A spectacular neoclassical staircase leads up to three attic flats filled with serenity and lightness. Shrouded in soft colours and natural finishes, sparsely furnished with old mid-century furniture sourced by Trotter from all over Europe, the sun-drenched loft showcases the soul of minimalism.

一个壮观的新古典主义楼梯通向三间充满宁静和轻盈的阁楼公寓。笼罩在柔和的色彩和自然的饰面中，稀疏的陈设着Trotter从欧洲各地采购的老式中世纪家具，阳光照射的阁楼展示了极简主义的灵魂。

Taking advantage of the five-metre-high ceilings, a mezzanine was added to provide a separate sleeping area without reducing the main living area, a gesture that also allows guests to get up close and personal with the building's centuries-old ceiling frescoes.

利用5米高的天花板，增加了夹层，以便在不减少主要生活区域的情况下提供独立的睡眠区，这一姿态也让客人可以近距离欣赏建筑物具有数百年历史的天花板壁画。

The top floor has more frescoes, with two suites, a guest room, a lounge and exhibition space. These spaces embrace the same Scandinavian minimalist aesthetic as the flats on the first floor, but they still feel lyrical thanks to the faded colours of the frescoes and the rich texture of the shaky plaster.

顶层有更多的壁画，有两间套房、一间客房、一间休息室和展览空间。这些空间与二楼的公寓一样拥护斯堪的纳维亚极简主义美学，但由于壁画的褪色和摇摇欲坠的灰泥的丰富纹理，这些空间仍然感觉抒情。

Numeroventi evocatively bridges the past and present, providing an inspiring and contemplative environment for artists and designers to ‘rediscover’ what he calls ‘the essence of their profession,’ as well as a haven for weary travellers to pause and reflect. It is also a haven for the weary traveller to pause and reflect.

Numeroventi令人回味地连接了过去和现在，为艺术家和设计师提供了一个鼓舞人心和沉思的环境，让他能够“重新发现”他所说的“他们职业的本质”，同时也是疲惫的旅行者停下来思考的避风港。

The spaces are purposefully weathered to evoke the building's storied history and to convey the bittersweet beauty of the passage of time.

这些空间有目的地保持风化状态，以唤起人们回忆建筑的传奇历史也传达了时光流逝的苦乐参半之美。

By welcoming established and emerging artists, fostering collaborations, organising seminars and exhibitions, and hosting receptions and dinners served by a resident international chef, Numeroventi ultimately celebrates contemporary creativity and cultural exchange in what can only be described as an overwhelming Renaissance style.

通过欢迎成熟和新兴的艺术家，促进合作，组织研讨会和展览，并举办招待会和晚宴，由驻场的国际厨师提供服务，最终Numeroventi以只能被描述为压倒性的文艺复兴风格庆祝当代创造力和文化交流。

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